I went into this book completely blind, having been sent it a few months ago by the publisher. This isn’t a book I would typically pick up, but it did impress me. It also confused me a bit, as I couldn’t quite figure out the genre or the age of the intended audience. I wish it had been a little bit longer with some more exploration of some of the characters, but the short length was also part of its appeal.
The main narrator of the book is Jazmin, who has been shunned by everyone since the disappearance of her best friend Becky, who jumped off of a tall building, but never landed. Jazmin told people what happened, but nobody believed her, and now, she is telling her story again. Other narrators also tell their story, in separate but linked tales that eventually interweave in order to tell us what really happened to Becky when she jumped off that building. It’s a slow-burn drama, but mystery is enough to keep you hooked, and the narrators’ voices are strong and clear.
I really liked the narrative style of this. It is told in a second person narrative by various people who are being interviewed about their experiences. They tell the events of the story as they unfolded in their perspective. This means that you don’t have the same reading experience as you would in another novel, where you might feel like the events are happening to you. It isn’t really possible to disappear into the story, so to speak, because at no point does it stop feeling like you are just reading about it, rather than living it. If the book was longer, this might have ended up bothering me, but for its short length that meant I finished it in two days, I didn’t mind this.
Although it wasn’t completely clear from the blurb or even the first few chapters, this book is science fiction. Aliens are mentioned pretty early on, but for a big chunk of the book I couldn’t figure out if the characters were mad or not. This made reading it a bit strange. Also, the age range of this book wasn’t clear either. I was sure from the cover art and the simple style of the narrative that this was a children’s or young adult book, but the narrators are all adults, so I’m not so sure. If you prefer your genre fiction to have very strong elements of that genre, this might not be for you, but otherwise, I enjoyed the mystery and gentle unfolding of the truth.
Whilst the short length worked well in some respects, I think that the book failed to explore some elements of the story. For example, the characters themselves were not very well developed, and many of them simply felt like they were there to push the plot without their identities really being clear. This was especially confusing when they all resulted to be relatives or friends of each other in some way, because I couldn’t tell one apart from the other in order to remember their significance. The romantic storylines also felt forced and very shallow, as the characters seem to fall in love out of nowhere, with no real reasons for their attraction or development in their relationship. This was a major flaw for me as Gardner tried to make love a central theme of the book.
Overall, there were strong and weak points in My Side of the Diamond. I liked the style of narrating, especially the parts where the second-person perspective was clear, and I liked that the book was short. However, I would have preferred for there to have been more character exploration. There were sections of the story that, in my opinion, could have been sacrificed for more character development, or the book could have been a little bit longer to make room for that.