Book Reviews, YA Contemporary, Young Adult

My Heart and Other Black Holes – Jasmine Warga Review

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Rating:★★★★

I was concerned starting this book that it would fall into a lot of cliches, and to be fair, it did – a lot of cliches. However, I still enjoyed this book. The writing and the characters meant that the cliche plot didn’t stop me appreciating the book.

My Heart and Other Black Holes revolves around sixteen year old Aysel and Roman, who meet via a Suicide Partners website. Both want to die, and they agree to do it together, a month from their first meeting. They’re both running away from something, but as they spend more and more time together, Aysel starts to wonder if running away is really necessary, or if all you need is someone who understands you. Eventually, Aysel realises that there is more to live for than there is to run away from, but the clock is ticking, and Roman is much more committed to the plan than she is.

The first cliche that I was apprehensive of in this novel was the suicidal teen story. Obviously, suicide and depression are very important issues to address in fiction, but sometimes I worry that teen novels romanticise mental illness as characteristics and quirks. Warga addressed the feelings of both Aysel and Roman well enough that their problems didn’t feel like they were just being used to advance a plot. Aysel’s father committed a horrific crime a few years before, and she is running away from the fear that she is just as bad as he is. Roman is running away from guilt that he could have stopped a tragedy in his family. Warga wrote this after the death of a close friend and you can see clearly that her writing is influenced by real experiences. This novel is dark, because it honestly addresses the characters’ experiences, and while it is heart-wrenching at times, this means that overall, mental illness doesn’t feel like a prop.

Further, the characters both feel real and less like quirky caricatures than they sometimes feel in other teen novels that address characters with health problems. Instead of being one-dimensional and cookie-cutter characters that serve the author’s purpose of writing about their mental health problems, Aysel and Roman were multi-faceted and fun to read. Personally, I loved Aysel’s interest in physics and how it influences her narration of the story. She also talks us through some of her memories, and we see how these affect her, without an annoying info-dump or cringe-y flashback. Both Aysel and Roman have their own sense of humour and wit, and overall, they were just a lot of fun to read and very likeable characters.

All of these little cliches, however, developed into what felt like one big cliche. I don’t want to ruin the ending, but my feelings around the ending made me feel unsure about the  novel as a whole. On the one hand, all of the little cliches developed into a bigger cliche ending that wouldn’t feel out of place in a Lifetime movie. While this felt refreshing compared to other teen novels about mental health that sometimes feel like they romanticise huge tragedies, the ending isn’t objectively super happy. Rather, it is an open-ended and hopeful conclusion. However, the ending did feel a little rushed, and so the cliche aspect of the ending was emphasised until it was much stronger than it actually might have been.

Overall, it’s just my ambiguous feeling to the ending of My Heart and Other Black Holes that dampened my feelings to the novel overall. The characters were well-crafted and multi-faceted, and Jasmine Warga’s writing is excellent. While it was a really good read, I don’t feel like it made an impact in the same way that other novels on this topic has, but at the same time, I didn’t think that any aspects of her exposition of mental health and suicide was problematic or unresolved.

Book Reviews, Contemporary

The Vegetarian – Han Kong Review

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Rating: ★★★★

This book was recommended to me by a friend who absolutely loved it, and  I was intrigued by it because she had said she found it difficult to describe properly. To put it simply, this is a book about a woman who spontaneously decides to become a vegetarian,  and the effects of this decision. The novel actually touches upon issues such as women’s place in society, freedom, identity and mental health.

Yeong-hye and her husband have an ordinary and average life. They are ordinary and average people. That is why Yeong-hye’s decision to stop eating meat shocks her husband so much. In the first section of the novel, that is narrated by him, he tries and fails to understand his wife’s decision to change her eating habits, and how she can completely disregard his comfort, and her own appearance. He is angry that she would make such a decision without running it by him first, subject him to her dietary choices, and frankly, make any decision by herself. The subsequent two sections of the novel are also narrated by those close to Yeong-hye: her brother-in-law and her sister, as Yeong-hye is admitted into psychiatric care multiple times.

Although this is about Yeong-hye’s choice to stop eating meat, it is actually about much more than that. From the first section onwards, we see that what is really shocking to people is that she has made any decision for herself at all, that she stands by it, and that she defies tradition – her family are a family of meat-lovers, and even try to force feed her at a family dinner. Eventually, Yeong-hye’s lifestyle becomes even more radical, as her whole identity changes and she begins to become more and more like a plant, stripping to absorb sunlight and insisting that she doesn’t need food, only water. Although her decisions are seen by others as a sign of lunacy, by the end of the novel, in the section narrated by her sister, we wonder which character is most trapped.

I have read some modernist works before, and the style of writing in The Vegetarian is quite simple, so I didn’t find the novel too difficult to grasp. In fact, I read it in one day as it is quite short. I enjoyed the symbolism and the way it addressed themes such as women’s subjugation. I think that it approached this theme really well, as we see different aspects of control over women throughout the book, w whether it is her Yeong-hye’s husband’s expectation that his wife always think of his feelings first and put them before her own, her father’s violence, her brother-in-law’s obsession with her, or her sister’s doubt over how her sister is being treated.. We also barely see Yeong-hye speak herself, and her story is wholly told by those around her. However, I am grateful that this book wasn’t longer. By the end of the novel, I was starting to, not lose my way, but grow a bit tired of symbolism and allegory and wanted to return to my usual explicit action and plot. I was starting to read faster just to get ahead in the book, and so I think that I probably will have missed details in the final chapter, which I will probably return to so that I can really look at it properly.

Overall, I can see why this book made such waves when it first came out, and why it is receiving so much attention. It looks at various themes about women and society through the lenses of different characters, and really makes you think about how they play out in reality. Although I started to get bored towards the end, I put that down mainly to the fact that I wanted to finish the book by the end of the night. Whilst modernism isn’t for everyone and can be a bit difficult to get your head around or get back into if, like me, you studied modernist texts as a student, but this book at just under 200 pages isn’t too much to handle in my opinion, and unlike some older classics in modern fiction, its prose isn’t rambling or confusing at all, so it might be a good place to start.

Book Reviews, Sci-Fi & Fantasy

American Gods – Neil Gaiman Review

 

 

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Taken from: @inkdropsbooks

Rating: ★★★★★

I said in a T5W post a few weeks ago that I was desperate to read more of Neil Gaiman’s work, and with the release of the television adaptation of this book, American Gods seemed like a good place to start. I was so excited to read this, and I was well rewarded for making it through the 600+ pages with a winding tale of mythology, fantasy, magic, murder, and American road trips.

At the start of the novel, Shadow is awaiting release from prison so that he can return home to his beloved wife Laura, however, days before his release, he is told that his wife has died suddenly and allowed to return home early. On the journey home, he meets the mysterious and charismatic Wednesday who offers him a lucrative job for him, and having no other options, Shadow agrees. This leads him on a journey with Wednesday that takes him to intriguing locations in small town America, and also introduces him to a vast array of gods, old and new gods, loved and forgotten gods, gods that he had never heard of.

It was impossible to not be drawn into the cast of this novel. There are so many interesting gods in this novel that I had mostly never heard of. While I had heard of big names like Odin and Loki, Mr Jaquel who was the Egyptian god Anubis, and Eostre, the goddess of Easter, I hadn’t heard of others like the Zorya sisters, Czernobog and the characters of Mad Sweeney and Whiskey Jack. What I loved was that the characters are often initially introduced as ordinary characters, and then we piece together what gods they actually are. I also really enjoyed the new gods, such as the technology kid and Media. The concept of gods dying if they are forgotten was interesting to read not only as a plot point but also as a sort of commentary of modern society, and it makes you think about what makes certain deities and beliefs fade away and what makes certain aspects of our modern lives like television and freeways take their place.

Second, I absolutely loved how this book crosses so many genres. There was fantasy, mystery, adventure, love, history, and my personal favourite, the murder mystery that takes place in the town of Lakeside. I always looked forward to the ‘Coming to America’ chapters, which take the form of individual short stories describing how certain gods were brought to America by all sorts of figures, from travelling tribes, to prisoners who were transported to America, to slaves and modern immigrants. Neil Gaiman did a really good job of developing these characters well so that you felt a connection to them even in a short time. My favourite was probably that of Salim and the jinn, but all of these stories are emotional and tell stories of people from all over the world throughout history.

I didn’t know how long this novel was, and at times it did feel quite dense, but it always paid off in the end. I think I am getting out of the habit of reading longer novels, but American Gods was overall a lot of fun with lots of plot twist that I didn’t see coming – maybe I am slow, maybe they were obvious to other people, but they definitely shocked me! I am definitely looking forward to continuing my journey of reading as much of Neil Gaiman’s work as I can get my hands on.

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Book Reviews, Contemporary

After You – Jojo Moyes Review

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Rating:★★

I kept forgetting to write this review, not because updating this blog is not important to me, but because I literally kept forgetting that I had even read this book. Where Me Before You stayed with me for days, I could barely be bothered to finish this one, and once I had, I realised that it had left no impact at all.

After You is the sequel to Me Before You, which you’ve probably heard about. If not, you can read my review for that book here. If you want to avoid spoilers for the first book (there’s a pretty big spoiler ahead) then, as much as I love that you have come here to read this post, I would advise you to skip this post altogether – here are some alternatives!

After You picks up a few years after Me Before You’s dramatic ending. Louisa has done what Will wanted her to do after his death – she has travelled, met people and done exciting things, but now she is back in London, working another dead-end job, and has realised that she hasn’t dealt with her grief at all, but rather has just been shoving it aside. After an accidental fall from her rooftop garden, which family think was a suicide attempt, Louisa is forced to enter a grief support group. Meanwhile, a shocking revelation in the form of a strange girl appears on her doorstep and Louisa must revisit her time with Will again.

I’ll get to the point quickly – this review really didn’t need to happen. I suspected that this would be the case before I read it, but I kept pushing on in the hopes that I would be proven wrong. Unfortunately, I was right. The mysterious new character’s identity was such a cliche that, for me, the book read too much like mediocre fanfiction. I think that as Me Before You was so driven by the relationship between Louisa and Will, Louisa on her own with a bunch (literally, so many) new characters with either a tenuous link or no link at all to the original story just didn’t work. I didn’t really care about any of the new characters, for example, I could barely differentiate one support group member from the other, and the ‘will they won’t they’ romance storyline was dull, because the relationship lacked the same banter and drama that Louisa and Will had.

I almost never wish that I hadn’t read a book before, but After You is pushing me to the limit. A quick google search told me that there will be a third book to this series. Why? Me Before You was a great, striking standalone novel, and as much as you might wonder what happened to a character after a novel ends, that isn’t enough justification to extend a story that has finished. The rest of Louisa’s story, frankly, is just not interesting in the way that Me Before You. I don’t think it’s necessary for me to say that I’ll not be reading the next book about Louisa, but i case it wasn’t clear, I won’t. I would rather just think of Me Before You as a standalone book.

Have you read After You, and if so, what did you think? What are some series that you think would have been left as a standalone, or stretched on too long?

Book Reviews, Sci-Fi & Fantasy, YA Sci-Fi & Fantasy, Young Adult

Naondel – Maria Turtschaninoff Review

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Taken from: @inkdropsbooks

Rating: ★★★★★

I received a free copy of this book from NetGalley in exchange for an honest review.

If you check out my review of Maria Turtschaninoff Maresi, the first book in the Red Abbey Chronicles, you’ll know how much I loved it. I had to read the second instalment in the series, and it was both more of what I wanted and something new and exciting. Maria’s writing is exquisite, and I love how she weaves her stories slowly and subtly, and the story in this book was so different to Maresi that it still felt new.

First of all, although this is the second book in the Red Abbey Chronicles, Naondel is a prequel to Maresi and not a sequel. It tells the story of the first women who founded the Red Abbey, the women-only society on the island of Menos that Maresi is set in. The majority of the story takes place in the palace of Ohaddin and starts with Kabira. She visits the Sovereign’s palace and meets Iskan, the son of the Vizier who sweeps her off her feet. Iskan is intrigued and obsessed by the mysterious source of magical power in Kabira’s lands, the spirit of Anji, and tricks Kabira into marrying him for control over it. Over the years, we see Kabira as well as Iskan’s subsequent wives, concubines, and slaves, as they suffer mercilessly under his rule, until they finally decide to escape. There is a reason why the Red Abbey Chronicles are being hailed as ‘feminist fantasy’, and that is because these novels focus on women – their strengths, their dreams, their fears, and their stories.

The novel is told through many different perspectives and these various stories take us to many different locations in Maria’s world. Sometimes I am apprehensive when authors do multiple perspectives as it can often feel confusing and the characters can feel superficial, but Maria Turtschaninoff does not fall into this trap. I have absolutely loved the way that she writes since I first opened Maresi, particularly in that her novel’s form is that of written accounts by the characters, looking back on their experiences. This novel consists of the written account of the women once they have arrives on Menos, and it is easy to believe that these are real women remembering their lives. You really get a feel for them as human beings through this structure, and this way of telling the story means that the story builds up over time, just as the characters become clearer and more distinct to you as the novel goes on. I also love how this format means you get a really good idea of the characters’ personal journeys over time. For example, when the novel begins, Kabira is a teenager, and we see her age until she is an old woman, and we see her not only through her own eyes, but through those of the other women as well, so we get a really well fleshed out image of her.

I’m constantly amazed by how Maria Turtschaninoff’s writing seems so effortless. I’m sure that endless hours go into crafting her work to make it so perfect, but as a reader, I felt like every choice of word was perfect, and even though the words are simple, there were many passages that blew me away. She also expertly manages to craft a unique magical world whilst not making it feel overcomplicated or confusing using the different characters to teach us this. Instead of having a huge info-dump, we learn through each of the characters’ different skills. Kabira has grown up with Anji, Garai has grown up with a close affinity to the land, Orseola is a dreamweaver (one of my favourite stories), and Sulani is a warrior woman. They each bring their own knowledge, talents and skills to the story and to the team, so that by the end of the novel, we see women who don’t even all like each other that much form a strong community together.

I honestly feel like I could talk forever about how much I love Maria Turtschaninoff’s writing. I enjoyed Naondel not only for the self-contained story within its pages but also because it adds another wonderful layer to the story that we see in Maresi. Learning about the origins of the Red Abbey and the way of life that Maresi lives was interesting and exciting. As I said with Maresi, I think a wide range of people could love this series. It has something for everyone, whether you are new to the fantasy genre or you have loved it for years as I have, whether you read adult or YA, whether you don’t read a lot at all. There is something in the Red Abbey Chronicles for everyone.

Book Reviews, YA Sci-Fi & Fantasy, Young Adult

Flame in the Mist – Renee Ahdieh Review

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Rating: ★★★

I received a free copy of this book from NetGalley in exchange for an honest review.

I knew absolutely nothing about this book when I went into it. The only thing I knew was that I really, really wanted to read Renee Ahdieh’s previous series The Wrath and the Dawn, and so I hoped Flame in the Mist would grab my attention in the same way. Renee’s writing is really wonderful, and I liked the characters and the setting of this novel, but some aspects of the story and the fantasy system fell flat to me and didn’t feel properly brought to life.

Flame in the Mist is about Mariko, the daughter of a prominent samurai, who is attacked by the mysterious bandits the Black Clan as she travels to marry a man she has never met in the imperial city. Furious and determined to prove her worth to her family as more than a pawn to be sold in marriage, Mariko sets out on a mission to find the Black Clan, infiltrate them, and find out who paid them to kill her. She dons the disguise of a boy and does just that, and delves into a world of secrets, lies, intrigue and war.

I enjoyed Mariko’s character and the Black Clan as a group. At first, I thought that Mariko might be a typical feisty strong female lead, but she is more than that. I appreciated that her strength lay more in her mind than in her physical abilities – she is not a fighter, although she tries. I also liked that we see her grapple with doubts and questions, as well as with a desire to be brave even though she cannot escape the fact that she is terrified. Okami and Ranmaru are the other two central characters in the Black Clan, and Mariko’s brother, who we follow as he tries to track his missing sister. I enjoyed reading about the connections between these characters, and especially that there were different types of relationships. The romance does not overpower the story at all, but instead there is just the right amount of love for me, and there are also great friendships in the novel. My main issue was that the book swaps perspectives between these characters quite a bit, as well as some other minor characters, and sometimes the way this was done felt disjointed and confusing, and I felt like Renee Ahdieh spread the narration too thinly among too many characters.

I have tried to pick apart exactly why I couldn’t connect to this story fully, and I couldn’t find a single reason. The opening half of the story felt very flat to me, principally because I couldn’t really understand why Mariko was doing what she was doing. I understood that she resented being married off, and I understood that she wanted to prove that she was more than just a weak girl, but I couldn’t understand how she made the link from that to infiltrating the Black Clan to discover why they had tried to kill her. After the initial section of Mariko trying to find the Clan, we then have to sit through a large chunk which consists of her being treated as a sort of servant, and read as Okami and Ranmaru question whether they trust her. I think that because I was bored in this first section, I missed some vital details about the characters Okami and Ranmaru that made the second part harder to understand and get excited about, even though I felt like the story was picking up. I couldn’t remember the details about the pair’s history, and I’m still not sure I understand it.

The fantasy was also a bit vague. I found it so intriguing – there were trees that suck the blood out of people, and foxes made of smoke, and characters that could fly. But I had no idea where any of this came from and how it worked. I felt like the magical aspects of the book were quite randomly dropped into the book and for quite a large chunk of the book I wasn’t sure if this was a fantasy novel or a sort of historical novel. When magic did turn up, it was merely shown for a passage, then it vanished again. It felt so random that I felt like it could have been taken out of the novel altogether and the story would have still functioned equally well without it.

Overall, there were parts of this book that I liked a lot and others that, although I didn’t dislike, I just didn’t really get. I would have loved for the story to have picked up quicker and for aspects of the novel to have been a bit clearer, specifically the magic system and the characters’ pasts and goals. Although I didn’t love this book, I think that I will read the second instalment of this duology when it is released just to see where the characters end up and where the story goes.

Book Reviews, YA Contemporary, Young Adult

When Dimple Met Rishi – Sandhya Menon Review

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Rating; ★★★★★

I received a free copy of this book from NetGalley in exchange for an honest review.

I was so excited to read this novel and when I finally got a copy, I was overjoyed. The synopsis had me feeling some noughties rom-com meets Bend It Like Beckham vibes, and that’s exactly what I got. I loved the blend of the lighthearted teen romance with the infusion of Dimple and Rishi’s cultural backgrounds and their families, and the whole story really comes to life as you read it.

Dimple and Rishi have both been sent to Insomnia Con, a prestigious summer camp, to meet each other by their parents. The only problem is that only Rishi knows that this is a set-up. He is excited to meet his potential future wife and spend six wonderful weeks with her, but when he meets Dimple, he realises that she knew nothing of the plan. Dimple was under the impression that her parents were finally letting her focus on her career, and she’s furious that she’s been tricked. When Dimple and Rishi get paired together on a project, it seems like things couldn’t get any worse. Except they do. Dimple realises that perhaps she’s let her anger blind her, and she starts to wonder if perhaps she and Rishi and more compatible than she thought.

My favourite part of this novel was the characters. Dimple and Rishi are both so different. Dimple is feisty, independent, and stubborn. She dreams of being a web developers and I loved how passionate she is about her goals. Despite the romance storyline, I never felt like Dimple’s personality and goals were being sacrificed or like her character was being diluted in any way which I often feel in romance novels. Rishi on the other hand is a romantic and he loves all of the traditions that Dimple feels constrained by. He can’t wait to marry and have kids, everything that his parents want, but he doesn’t know if he’s following in their footsteps rather than pursuing his own dream – comics.  I loved reading about their families and their Indian culture. You can really tell that this novel is own voices in my opinion, because it never felt forced or superficial, the descriptions and conversations between family members felt real.

I loved that despite the storylines of the romance between Dimple and Rishi and the Insomnia Con competition there was also the interior battles that the characters are facing. Both Dimple and Rishi have to learn what it is exactly that they want, not what they’ve been told they should want or what they’ve told themselves they should want. It is a storyline that I think plenty of readers could relate to, and I definitely could myself.  I also love that despite the two of them obviously helping each other learn things along the way, neither one’s achievements were completely dependent on the other. Both Dimple and Rishi are extremely talented at what they do, and they both love it. Sometimes they just need a little shove to realise that they need to dive in.

When Dimple Met Rishi is a really fun and lighthearted novel, a great read for the summer. It gave me noughties romcom vibes to the extent that I was imagining  movie sequences in my head as I read it. It was easy to hand out 5-stars to this as I had such a good time reading it, and I hope you look into a getting a copy yourself soon!

For fans of: To All the Boys I’ve Loved Before – Jenny Han

Book Reviews, YA Contemporary, Young Adult

The Way Back Home – Allan Stratton Review

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Rating; ★★★★

I received a free copy of this book from NetGalley in exchange for an honest review.

The Way Back Home is about a young girl called Zoe Bird who loves her grandmother more than anything and is furious when she is put into a care home. Fed up with her own life in the town, where she is bullied relentlessly and her parents don’t listen to her, she decides to escape with her mother to Toronto, where her long-lost uncle lives. There were parts of this book that I really liked, and other parts that I just didn’t really feel made an impact on me, and overall it balanced out to be just that. Good, but not great.

Zoe’s relationship with her grandmother is one of the best parts of this novel. Zoe on her own was not a character that I liked. I really do not connect to characters who are rude for no reason, and I felt like, although I can relate to the struggles of seeing a loved one be put into a care home, Zoe’s anger and attitude to her parents felt a bit exaggerated at times. Generally, the parts of Zoe’s life that did not directly link to the story with her grandmother felt a little two-dimensional, like her cousin Madi’s character. I guess none of it felt real enough to me, it all just felt a bit too much of a caricature. However, seeing Zoe with her aunt on their trip was really endearing or Zoe’s character. We see that Zoe is kind and loyal behind all the anger that she harbours, and her desire to look after her grandmother isn’t a pipe dream, but she actually does it.

On the other hand, I felt like this is a perfect example of a character that is just too dumb to live. The whole way through this book I was waiting for the moment where someone would shake Zoe by the shoulders and ask her what the hell she was doing. I admire the way that Zoe and her grandmother’s relationship was written, but it also felt a bit ridiculous. Having seen Alzheimer’s in my own family, I know how difficult it is to deal with, and I find it hard even now, let alone when I was fourteen or fifteen. The whole story in this respects felt a bit naive, but once you look past the recklessness of it and how unreal the situation is, you can sort of enjoy the story.

Finally, the best part for me was the story with Uncle Teddy. I loved seeing the story unfold and the family come back together and especially Zoe discovering the truth of the family secret. I don’t want to spoil it for anyone who goes onto read this book, but it was refreshing and I felt like it was handled well, exposing some common experiences whilst not being insensitive. However, I was really confused at how the rest of the storylines played out around this. Zoe’s family reunite with one side of their family, only to turn around to the other side of their family and completely cut them off. When you read the book, you do see that their relationships are not exactly healthy, but I felt like for a book about families coming back together and looking past each other’s problem, perhaps this could have made an effort at humanising Aunt Jess and cousin Madi a little more to make it feel more cohesive.

Overall, I didn’t love this book, but I didn’t not like it. It was okay, with good bits and bad bits. I think perhaps my own experiences with the subject matter made it difficult to connect to because it felt silly to me, but it didn’t ruin the book for me.

Book Reviews, YA Contemporary, Young Adult

Spontaneous – Aaron Starmer Review

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Rating: ★★★

I received a free copy of this book from NetGalley in exchange for an honest review.

This book has a lot going for it. I went into this novel not knowing much about it, and was blown away by the originality of the concept. A town where teenagers begin spontaneously combusting? Well, you have caught my attention right there! The author really caught the voice of Mara, and there was a great balance between humour and the not-so-humorous concept of kids blowing up. However, the plot petered out about halfway through and I couldn’t find my flow with this book again.

Now, I usually keep my reviews as spoiler-free as possible, but there are some vague spoilers in this review, so if you want to be really surprised when you read this book, be warned.

Mara is a senior when one of her classmates blows up right before her eyes. Soon, kids are blowing up all over Covington. At school, at parties, at home, in cars. It’s a tragedy, a mystery, a curse – the Covington Curse. The police get involved, the President is sending messages of goodwill, reporters are flocking to Covington, but nobody can figure out how to stop the curse. It seems like all the youth of Covington are destined to a gory end. As if this isn’t bad enough, school has been closed down for safety reasons, Covington has become a quarantine town, and the senior students are pariahs in their own town. Can Mara get to the bottom of the curse, and will she survive?

The first half of this book was so much fun. This is going to sound really weird, but Starmer had a really great way of making these repeated cases of spontaneous combustion sound hilarious. Mara is a sarcastic, cynical girl with wit deserving of a daytime chat show. I loved reading her comments on the situation, her descriptions of the different people around town, and her crude sense of humour. However, at around the halfway point, understandably, the story became less about people randomly blowing up and more about trying to figure out why. This was where, in my opinion, the book started to drift, until by the end, it was just a bit of a mess.

I think my main issue was that the issue of the curse was left unresolved. There was so much mystery around the curse, and there were so many different theories being thrown around, from the students, from the police, from journalists and every single other character in the novel, that it felt like the author had just decided he couldn’t be bothered to finish the storyline. The middle section of the book completely abandoned this story. Instead, we read chapters and chapters of the seniors of Covington getting their lives back on track by reopening their school and convincing teachers to come back to teach them. This was cute for a few chapters, but eventually, I wanted to get back to the real story. Why were people exploding? Towards the end, people started exploding all over the place again, which made me think we would get somewhere, but we didn’t. All of this drama had happened for no reason! I feel like Starmer maybe intended for readers to come away with a message of making the most of your lives, but really, I was just annoyed. I felt ripped off, like the first half of the novel was leading me to something, tempting me with the lure of plot twists and shocking revelations, only to take it away. It’s like when a TV show opens with a really exciting premise, but 5 seasons later you’re still waiting for the explanation to a story from the first series.

Overall, even though I was really annoyed by route that this book took, I gave it 3 stars because Mara’s voice was so funny. I felt like even though she was snarky and rude, it didn’t feel forced and two-dimensional like it does for other ‘tough girl’ characters in YA literature. Instead of feeling like a caricature, she just felt like a real life Daria character, and I loved that. I also loved that she didn’t feel like a stereotype. She wasn’t a loner, but she wasn’t the most popular, she was very flawed, and very funny. I want a TV show about Mara. Not necessarily this story, but definitely Mara.

 

Book Reviews, YA Contemporary, Young Adult

Out of Heart – Irfan Master Review

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Rating: ★

I received a free copy of this book from NetGalley in exchange for an honest review.

I really wanted this book to impress me, and I was optimistic for much of it, but I can’t lie. This book was so disappointing for me. I never understood what was happening, whether anything was happening at all, or what the point of it was. This really was not my cup of tea.

When Adam’s grandfather ‘Dadda’ dies, he and his family are shocked to discover that he donated his heart. They are even more shocked when Adam shows up at their house claiming to be the recipient of Dadda’s heart. William is quickly welcomed into the family and finds a home with them. Meanwhile, Adam spends his days enveloped in his artwork. To be honest, that’s basically it. I don’t know how to describe the ‘plot’ of this novel, because I couldn’t really pick one out for you. Things happened, once in a while, but they didn’t really seem to serve a larger purpose, and for most of the book, I had no idea where it was going and what the characters were looking for. I appreciate that one aspect of many of the characters, or at least William and Adam, was that they are sort of drifting through life, but I would have liked to have had a clearer idea of at least their short term goals, their feelings, their wishes.

Perhaps this was made worse by the fact that the writing is quite poetic and symbolic. Adam spends a lot of time making short little poems with random pairs of words, and the way that the novel is told is almost a sort of stream of consciousness narrative. I found this odd, especially for a YA contemporary novel, but I was willing to give it a try. I have enjoyed stream of consciousness literature before, so I was actually quite excited. However, my issue with the way it was used in this novel was that I don’t feel like any of the characters really stood their ground enough as individuals. The narrative would sometimes switch from one character to another, and by the end of the novel, I think most of the characters had been the focus of the narrative at some point, but the information we were given about them and the events happening were just a bit too wishy-washy and vague for me.

Vague seems to be the overall impression of this novel. I don’t mind reading novels that experiment with symbolism and narrative, I’m used to them, but I do think that there has to be a balance. There was clearly symbolism in this novel, there was a lot of talk of hearts (understandably), but if Irfan Master was hoping that his novel would make his readers think about something in particular, it didn’t achieve it with me. Even basic things missed me. For example, even now I’m not completely sure if Adam actually lives with his grandmother. I’m pretty sure she was mentioned at some point, but then she disappeared. There was another plot to do with Adam’s father, his younger sister, and domestic abuse, but for such a heavy topic, it just wasn’t explored at all.

This is one of the hardest reviews I’ve ever written, simply because I am completely lost for words over this novel. I read it, but I can’t find any wider meaning to it. It was just a string of events, and the attempts at symbolism and imagery completely went over my head. Nothing was explored, none of the characters stood out to me, and the plot was barely identifiable.